‘November’ is one of those tracks that is just purely from imagination, not at all being based on any personal experiences. It leans heavily on my love of old Western soundtracks, especially Ennio Morricone “The Good, The Bad and The Ugly”. Once I had the opening chords and feel for the song, I started to imagine a sequence of events around the murder of a women by her husband who then pins the blame onto a friend who the husband believes is in love with his wife. Being the first man on the scene and having no other defence other than to run. The accused has to return having the weight of the death on his mind and to clear his name. He remembers the dying words of the wife and sends a message to the courtroom, urging them to search the house. And in relaying the information that the wife had provided, of other bodies and their location, “The cellar box room”, the mans name is rightfully cleared.